WriteOnCon 2018 is officially over, and I attended about two and a half days of it. (Not that “attending” means tooooo very much when everything is online.) And now that it’s over, let’s talk about how it went!
First thing’s first: what is WriteOnCon?
WriteOnCon is an online writing convention for people writing children’s literature. It covers everything from picture books to new adult, and it’s 100% online. There are several different elements:
- The Forums: The WriteOnCon forums are active from a week before the event. They’re totally free, so anyone can participate, even if they aren’t participating in anything else in the event. The forums include boards for talking about writing and craft, finding writing partners, and review boards where you can get feedback on your queries and first pages. During the event, agents scour the forums, and they may request your stories if they like what they see.
- Blog Posts and Pre-recorded Video Posts: If you pay the $5 admission, you get access to blog posts and pre-recorded videos. These were created by agents and successful authors and they cover a boatload of topics, ranging from craft to personal experiences. About two of these were posted every hour, so there was a ton of content to experience.
- Live Events: Additionally, if you pay at least $10, you get access to the live events. There was one live event held every hour of the event, running from 9:00 a.m. to 8 p.m. ET. These were one-hour-long events with some element of participation. Most of them were Q&As (so you could ask agents and authors your burning questions), workshop events, or agent pitch events.
So we’re talking about an absolute TON of content. And since this is all online, you didn’t have to “attend” all three days in person. You can watch the content whenever you want, even after the event. (But how long you have access depends on your admission–the $10 admission gets you access to the content for a week, and the $15 admission gets you access for a month. So if you weren’t there during the event, you do have a limited amount of time to catch up.)
So that’s what it was. What did I think?
The forums were just like I remembered them. Again, I only participated in one place: the YA query review board. So how’d that go?
- Everyone is so enthusiastic. You will get feedback from someone.
- The feedback is, on the whole, extremely useful. I thought my query was pretty good going in. It’s better now.
- You have to give feedback if you want to get feedback. The forum suggests you review at least 5 other people’s queries if you want feedback on your own. Try to review as many other queries as you can.
- This also means there’s a lot of quid-pro-quo going on. If you aren’t getting enough feedback, try reviewing more queries!
- You probably want to participate early. Go when the forums open. (That’s a week before the event.) Improve your query then. The agents don’t show up until the days of the event, and you’ll be more effective if the bulk of your edits are done by then.
- Remember that a lot of these people are very new writers. This means you need to be critical about the advice you get. Not all advice is good advice. Look at what they’re suggesting, think about whether it matches what you know, and see if multiple people suggest the same things.
I got a ton of feedback. Some of it was iffy, some of it was amazing, but all of it was useful. I now have a much stronger query than I did going in.
The Blogs, Videos, and Live Events
WriteOnCon had a ton of content. And since this is an online event, that content varied widely, from polished, well-scripted videos to things shot on grainy webcams, in dark rooms, or without tripods or stationary webcams. There were technical problems. The website got mobbed on day #1 and wasn’t stable for about two hours.
And I found several posts, videos, and panels that I loved. Susan Dennard’s video on Why Failure Isn’t the End (which is publicly available on YouTube, even if you didn’t attend the event) is incredibly heartfelt and inspiring.
I can’t link to the rest of the content I watched (as you’d have to attend the event to see it), but I enjoyed a lot of stuff:
- A live Q&A panel with several debut authors where they spoke about their “first year” experience, and how they got their agents and publishing deals.
- Several amazing panels on using social media
- More fantastic blog posts that I can count–there were several useful ones on writing descriptively, organizing your writing time, and maintaining motivation.
There was a ton of good content! Do I have some caveats? Absolutely!
- WriteOnCon does seem geared toward beginning writers. At larger conferences, there are just more panels, and that means that you can choose between really basic panels on simple topics or really specialized panels on specific topics. At WriteOnCon, you have only one live event and maybe a pre-recorded 10- to 30-minute video every hour, so they tend to be about universal concepts, like “being motivated” or “writing dialogue.” The blog post were most likely to be about very specific things–but the panels? They were usually high-level. This means that a lot of the content is about things you’ve probably heard before: why it’s important to structure your stories, what voice is, what too much description looks like, how agents have specific querying requirements and you need to follow them… Yeah. Stuff like that.
- You hear a lot of similar questions in the Q&As. And due to WriteOnCon’s low barrier to entry and the low admission rates, you get a lot of basic questions. So most agent Q&As had questions about what queries were, how long they should be, and why people get rejected. Every Q&A about social media ended up going down the “do I really need a platform? why?” track. You really don’t need to watch every single event that happened in the convention, particularly the Q&As. When Q&As cover similar topics, they usually have similar questions.
- The query events weren’t very well organized. Here’s how it worked: some agents read your query letters live and responded to them verbally. If you wanted your query to be read, you had to post it on a specific thread on the forums. And the forums opened a week before the event. And, more importantly, I didn’t see those advertised anywhere. The WriteOnCon schedule only listed that pitch events were happening. It didn’t say “Hey, post in this thread if you want your query reviewed!” I didn’t notice them on the forums (although they were probably more obvious.) So what did I do? I waited until the day the pitches were supposed to occur. 45 minutes before the pitch event, I’d see a post saying “Post here if you want your query read!” And then I’d realize that they were already 5 pages deep, because people had been posting their queries for days. (Additionally, there was some sort of kerfuffle mid-event about how people weren’t following the rules of submitting, and this made at least one of the query pitch events go sour. I didn’t follow that since, by that point, I had simply accepted that I had lost my chance because I hadn’t posted my query in the days before the event.) Soooo I didn’t get my queries in front of agents’ eyes. That’s fine. I know how to query the old-fashioned way. But it was still disappointing.
My thoughts overall
As a semi-experienced writer–at least one who knows how to query, knows a smidge about publishing, and has one book out with a small press–WriteOnCon’s events were hit-or-miss. Some of the events were fantastic! Some of the Q&As were amazing! And… some of the Q&As felt identical, and some of the panels were just really, really basic.
But WriteOnCon is still absolutely fantastic, and I’d recommend it to any writer in kidlit. I mean:
- You can see everything for $10. $10! You can’t beat that price.
- It’s online, so you can watch as much or as little as you want.
- You can watch and read the content after the event, if you want.
And you know what? I’ve gotten trapped in real-world panels at real-world writing events where I was bored out of my mind but didn’t want to disrupt things by getting up and leaving. But if I get bored of something in WriteOnCon? Close that video. Find another. Watch that instead. DONE.
If you write children’s literature, WriteOnCon is an easy, cheap, low-effort way to get a taste of a conference experience. There’s got to be something in those ~100 blog and video posts that you’ll find interesting, insightful, and inspiring.