I’ve been querying my YA fantasy novel since September 2014, and oh man, it’s been a journey. I’m not quite done, so I can’t talk about stats yet, but I can definitely talk about the random things I’ve learned.
Lesson #1: I hate competitions.
I really, really, really hate competitions.
I’ve participated in PitMad, Pitch Wars, WriteOnCon, and Miss Snark’s First Victim’s Secret Agent. They’re great resources, but I don’t know if I like them.
And really: It’s me, not them. Contests consume me. I find myself hovering over the computer at all hours of the day, stalking the most successful entries and trying, desperately, to figure out what they’re doing right and I’m doing wrong. I get super competitive, I stay up late, I obsess until I have to force myself away from the computer, and then… well, I crash. Because that’s not sustainable. I almost always came away feeling miserable and spent.
These are wonderful resources. But they’re also crazy-stupid stressful. I’ll probably participate in more in the future, but I’ve got to be super careful. I have a lot more success in quieter, more private, less competitive situations… Like, you know, just querying agents directly.
Lesson #2: Fantasizing about success is poison.
When I first started querying, I got super into it. Every time I sent a query I spent hours pouring through the agents’ backlists and dreaming about what would happen if they liked my novel. That giddiness kept me going even when I didn’t feel up to querying.
But every time my emotions went up, they had to come down.
This also might just be me: If I get excited about something, there are only two options left for me. I either maintain that excitement (because all my dreams came true!) or I’m disappointed. And the more excited I am, the more disappointed I have to be.
And if it’s already hard to query, you can darn well bet it isn’t easier for me to depress myself first.
This was especially true whenever I got a full manuscript request. It was tempting to keep myself up at night going, “OMGGGG, I’m one step away from an offer! Most people don’t get this far!” Nope, that sucks, too.
Enthusiasm is poison to me. The best I can manage is a business-like professionalism. “Ah, a full request. Great. Let’s see how it pans out.” That’s a level of emotional involvement I can keep up forever.
Lesson #3: I probably was a little too cautious about querying.
For several months, I queried 10 agents at a time and waited for (almost) all of them to respond before I tried again. I was following some commonly heard advice: Send 10 queries, see how it goes, and then use your response rate to measure whether you’re doing OK or not. So I did that. Forever.
The problem was, this made me read too much into my response rate. I got two full requests in my first 14 queries. That’s really good, right? Then I got nothing for the next 34! That’s nearly 40 queries without even a personalized rejection! That’s awful, right? That’s “There’s something super wrong with your query” levels of bad, right?
Or, er, is it?
Really, numbers don’t mean anything. Queries are random. Some people like stuff, some people don’t. You can’t literally crunch your numbers, calculate a “success rate” and determine the numerical strength of your novel.
I had gotten some requests, so my novel had potential. Eventually I just sucked it up and blew through the rest of my agent list. But by the time I had done so, I had taken already slow process and drawn it out to almost a year.
Lesson #4: Don’t let the querying process keep you away from writing.
It’s really tempting to get deeply, deeply involved in the querying process–to spend hours and hours pouring over your query and triple-quadruple-quintuple checking your first few chapters and getting feedback, feedback, and more feedback! There are contests! (See above.) There’s #MSWL!
And QueryTracker! QueryTracker has stats! You could spend hours pouring over each and every agent you’ve queried, trying to guess where they are in their inbox. Oooooh, they’ve rejected all the queries ahead of mine! Maybe I’ll get an answer soon! Oh, this one’s rejected queries before and after mine! Am I in the “maybe” pile?
And… yeah, that’s just another form of getting my hopes up, isn’t it?
So yeah. If lesson #1 is to be zen about querying, lesson #2 is to query and forget about it. I remind myself to check in 3-4 months if I get a manuscript request, but that’s it. Queries go in the memory drawer, where I don’t have to think about them unless the agent responds one way or another. I have to go back to writing, focus on a new project, and let life go on. Otherwise I will literally lose hours of writing time.
Lesson #5: Querying is how you learn about querying. Do it sooner rather than later.
I waited until I had the best story I had ever written to query. I had kinda-sorta queried agents before, but… not really. I tried once. With one novel. I sent it to 10 agents, shelved it, and never tried again. I wasn’t really trying, because I knew the book wasn’t that good and I wanted to write a better one.
And while that’s not bad–good on me for recognizing that I had a lot to learn!–I also missed out on a chance to learn about querying.
Query letters, synopses, how to find agents, how agents work, what to do when you get a request… These are all things you learn by querying agents. And it’s stressful. And emotional. And often upsetting.
It also gets easier with time.
It’s like all sorts of things: You start out clumsy and confused, you don’t have any idea what you’re doing, and it’s stressful. But by the time I had sent out all my queries, I felt good. I was a pro at this. I knew what to do, what worked, and what didn’t. I hadn’t sold a book, but I had a pretty darn good run.
And I should have queried sooner. Because then I could have learned this all sooner, gotten it out of my system, and had a way easier time with this one.